Damning with faint praise: Berlioz at Bard

Sasha Cooke and Leon Botstein

La Damnation de Faust

Von Cameron Kelsall, 18 August 2024

Laden, bitte warten...

“frequently lush, occasionally kitschy and unapologetically French”

Rezensierte Veranstaltung: Richard B Fisher Center for the Performing Arts: Sosnoff Theater, Annandale-on-Hudson, am 18 August 2024

Berlioz, Damnation de Faust, La (Fausts Verdammnis)

SummerScape Opera

Joshua Blue, Faust

Sasha Cooke, Marguerite

Alfred Walker, Méphistophélès

Stefan Egerstrom, Brander

Bard Festival Chorale

American Symphony Orchestra

Leon Botstein, Musikalische Leitung

Almost rescued from tyranny: Smetena's Dalibor stuns at Bard

Robert Levine, 27th July

Bedřich Smetana’s patriotic opera Dalibor is given a rare outing at Bard College, directed by Jean-Romain Vesperini and conducted by Leon Botstein.

****1

The fat knight sings in Bard Festival's Sir John in Love

Cameron Kelsall, 13th August

A two-week Ralph Vaughan Williams retrospective closed with his gentle, folksy spin on Shakespeare's Merry Wives of Windsor.

***11

Saint-Saëns rarity Henry VIII takes the crown at Bard SummerScape

Cameron Kelsall, 21st July

Conductor Leon Botstein and director Jean-Roumain Vesperini treat this Tudor soap opera with appropriate grandeur, while a top-notch cast deliver the vocal goods.

****1

Strauss' Silent Woman makes a grand noise at Bard

Robert Levine, 24th July

Bard’s always courageous Music Director, Leon Botstein, never one to shy away from a challenge, presents Strauss' comedy uncut.

****1

Bard Musical Festival presents a thrilling Die tote Stadt

Cameron Kelsall, 18th August

American singers Clay Hilley and Sara Jakubiak offered performances of distinction in two fiendishly difficult roles.

****1

Das Wunder der Heliane makes long-awaited US debut

Cameron Kelsall, 28th July

Although Bard's production is only intermittently successful, the chance to hear this Korngold rarity live should be savored.

***11

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.