A jazzy offering from Chailly at La Scala

Von James Imam, 02 Februar 2017

Laden, bitte warten...

Veranstaltung anzeigen

“The concerto work had an explosive quality in the hands of pianist Beatrice Rana”

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 30 Januar 2017

Schostakowitsch, Suite for Jazz Orchestra no. 1, Op.38a

Boccadoro, Piano Concerto (World première)

Schostakowitsch, Symphonie Nr. 12 in d-Moll "Das Jahr 1917", Op.112

Filarmonica della Scala

Riccardo Chailly, Musikalische Leitung

Chailly, Kantorow et la Scala vers la flamme à la Philharmonie

Pierre Michel, 21st March

La formation italienne et le pianiste français ont fait étalage de leur habileté dans un programme intégralement russe.

****1

Filarmonica della Scala: exuberancia y lirismo con Viotti y Capuçon

Leonardo Mattana Ereño, 4th March

La Filarmonica della Scala cerró su gira en Madrid de la mano de Ibermúsica y, bajo la batuta de Lorenzo Viotti, descargaron teatralidad y exuberancia a partes iguales.

****1

Emocionante concierto de la Filarmonica della Scala en Santander

Daniel Martínez Babiloni, 28th August

Riccardo Chailly y La Filarmonica della Scala recalaron en el Festival Internacional de Santander con un programa en el que derrocharon energía, emoción y excitación.

****1

Riccardo Chailly et la Scala illuminent la Pathétique

Jean-Pierre Rousseau, 29th January

Après une première partie peu convaincante dans Prokofiev, la Filarmonica della Scala et Riccardo Chailly ont réservé une extraordinaire interprétation de la symphonie de Tchaïkovski.

****1

Viotti brings Italianate sunshine to Russian repertoire in Milan

Mark Pullinger, 24th February

Tchaikovsky's Serenade for Strings and Rachmaninov's Second Symphony are given urgent, ardent readings by the Filarmonica della Scala.

****1

A high-energy season opener at Dvořák’s Prague

Frank Kuznik, 7th September

Andrés Orozco-Estrada and the Filarmonica della Scalla boldly go into the Romantic repertoire, with mixed results.

****1

Weitere Kritiken...

James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.

A jazzy offering: Riccardo Chailly explores new repertoire with the Filarmonica della Scala