Ballet Hispanico's Carmen

Von Andrew Blackmore-Dobbyn, 23 November 2014

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Veranstaltung anzeigen

“Some lackluster casting choices that failed to capitalize on the story's essential drama.”

Rezensierte Veranstaltung: The Apollo Theater, New York City, am 22 November 2014

CARMEN.maquia (Gustavo Ramírez Sansano)

Ballet Hispanico

Ballet Hispánico’s CARMEN.maquia: raising the temperature!

Deborah Weiss, 16th May

Ballet Hispánico sizzle in a wonderfully witty and modernistic production of Carmen.maquia at the Leicester Curve.

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New York City Center’s Fall for Dance 2020

Ivy Lin, 29th October

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other.

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Ballet Hispánico

Andrew Blackmore-Dobbyn, 18th November

Ballet Hispánico at the Apollo makes a powerful cultural statement about the vitality of the Latin-American community in New York City.

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Ballet Hispánico

Andrew Blackmore-Dobbyn, 18th November

Ballet Hispánico at the Apollo makes a powerful cultural statement about the vitality of the Latin-American community in New York City.

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Der Norm nicht entsprechen: The Romeo beim Holland Festival

Michael Klier, 26th June

Trajal Harrells moderne Choreographie erzählt die Geschichte des Romeo und sagt dabei mehr als tausend Worte...

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Marcos Morau bezaubert mit neuer Choreographie in Den Haag

Michael Klier, 16th May

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

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Weitere Kritiken...

Andrew Blackmore-Dobbyn

Andrew is currently a professional chef in New York City but he began life as a ballet dancer with the Hartford and Ohio Ballet companies. His writing also appears on the Huffington Post Blog and BroadwayWorld.com. His latest work, nominated for a James Beard Award, is “Return to the Rivers”, a Himalayan cookbook.

Carmen at the Apollo: One Fateful Night