Ballet Hispanico's Carmen

Par Andrew Blackmore-Dobbyn, 23 novembre 2014

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“Some lackluster casting choices that failed to capitalize on the story's essential drama.”

Critique faite à The Apollo Theater, New York, le 22 novembre 2014

CARMEN.maquia (Gustavo Ramírez Sansano)

Ballet Hispanico

Ballet Hispánico’s CARMEN.maquia: raising the temperature!

Deborah Weiss, 16th May

Ballet Hispánico sizzle in a wonderfully witty and modernistic production of Carmen.maquia at the Leicester Curve.

****1

New York City Center’s Fall for Dance 2020

Ivy Lin, 29th October

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other.

****1

Ballet Hispánico

Andrew Blackmore-Dobbyn, 18th November

Ballet Hispánico at the Apollo makes a powerful cultural statement about the vitality of the Latin-American community in New York City.

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Ballet Hispánico

Andrew Blackmore-Dobbyn, 18th November

Ballet Hispánico at the Apollo makes a powerful cultural statement about the vitality of the Latin-American community in New York City.

****1

Trois Forsythe inégaux par le Ballet de l'Opéra national du Rhin

Julie Jozwiak, 26th April

Si Trio et Quintett suscitent quelques interrogations, Enemy in the Figure est le clou de la soirée – mais il manque dans l'interprétation cette déflagration esthétique typique de Forsythe.

***11

L'énergie brute de Shechter II dans In the Brain aux Abbesses

Julie Jozwiak, 3rd April

La jeune troupe d'Hofesh Shechter montre tout son immense talent, dans un formidable élan de libération des pulsions et des êtres comme ils sont.

*****

Plus de critiques...

Andrew Blackmore-Dobbyn

Andrew is currently a professional chef in New York City but he began life as a ballet dancer with the Hartford and Ohio Ballet companies. His writing also appears on the Huffington Post Blog and BroadwayWorld.com. His latest work, nominated for a James Beard Award, is “Return to the Rivers”, a Himalayan cookbook.

Carmen at the Apollo: One Fateful Night