Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

A tale of two fiddlers: Brescianello vs Vivaldi at St Martin-in-the-Fields

Von Mark Pullinger, 12 Februar 2022
Laden, bitte warten...
Veranstaltung anzeigen
“La Serenissima is the most Italianate of British Baroque bands”
Rezensierte Veranstaltung: St Martin-in-the-Fields, London, am 11 Februar 2022
Programm
Brescianello, Overture in A major
Brescianello, Sinfonia no. 5 in F major, Op.1
Brescianello, Violin Concerto no. 5 in C minor, Op.1
Vivaldi, Concerto for 2 violins in G major, RV 516
Vivaldi, Konzert für zwei Celli g-Moll, RV 531
Vivaldi, Concerto for 2 violins in D major, RV 513
Darsteller
Adrian Chandler, Violine, Direktor
Oliver Cave, Violine
Agata Daraskaite, Violine
Vladimir Waltham, Cello
Carina Drury, Cello
La Serenissima
Weitere Konzert Kritiken
Vier Violinen und ein Mezzo: La Serenissima in der Wigmore Hall
Jens Klier, 31st March
Das Spielbewusstsein und Feuer La Serenissimas gepaart mit dem Contralto-Wahnsinn Jess Dandys sorgte für einen beachtlichen Hochgenuss.
****1
Don't look back: Longborough's new L'Orfeo
Roy Westbrook, 11th July
Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast. 
***11
Summer storms in November: La Serenissima
Alex Tay, 21st November
La Serenissima bring a fresh interpretation to a seasoned classic in Cambridge.
****1
Calms and storms: La Serenissima
Travis Mason, 4th December
Adrian Chandler and La Serenissima showcase dramatic Vivaldi motets in a lively programme of lesser known Pietà music. 
****1
The Dawn of the Stradivarius: James Ehnes and La Serenissima in Oxford
Katy Wright, 14th June
“The name Stradivarius had an air of magic to me.” Virtuoso violinist James Ehnes’ statement manages to capture the air of reverence which underpinned Friday’s Music at Oxford concert. The gala marked the opening of the UK’s first Stradivarius exhibition at Oxford’s Ashmolean Museum, and two violins from the exhibition were on temporary release for the evening.
****1
Vier Violinen und ein Mezzo: La Serenissima in der Wigmore Hall
Jens Klier, 31st March
Das Spielbewusstsein und Feuer La Serenissimas gepaart mit dem Contralto-Wahnsinn Jess Dandys sorgte für einen beachtlichen Hochgenuss.
****1
Weitere Kritiken...
Kritiken von
Adrian ChandlerAntonio VivaldiConcerto for 2 violins in D major, RV 513Giuseppe Antonio BrescianelloKonzert für zwei Celli g-Moll, RV 531La SerenissimaOverture in A majorSinfonia no. 5 in F major, Op.1Vladimir Waltham
Verwandte Artikel
Loading image...
Bachtrack Top Ten: Antonio Vivaldi
Loading image...
Kampf oder Flucht? Über die Auseinandersetzung mit Vaughan Williams' The Lark Ascending
Loading image...
Bachtrack Top Ten: Barock in der Isolation
Loading image...
Young Artists To Watch: Anna Neubert – Konzertgestalterin
Mehr von Mark Pullinger
Loading image...
Bachtrack Top Ten: William Shakespeare
Loading image...
Seconds out! Regents Opera’s Salome lands a knockout punch at York Hall
Loading image...
Elim Chan: vom Zauberlehrling zur Proms Queen
Loading image...
Eyes wide shut for Berlin’s new Ballo
Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.