Morris' Dido and Aeneas is a gem

Von Teresa Heiland, 17 Mai 2015

Laden, bitte warten...

Veranstaltung anzeigen

“a perfectly balanced, well-cut gem”

Rezensierte Veranstaltung: UC, Irvine Barclay Theatre, Irvine, am 15 Mai 2015

Dido and Aeneas (Mark Morris)

Mark Morris Dance Group

Jamie Van Eyck, Mezzosopran

Douglas Williams, Bass

Sherezade Panthaki, Sopran

Mark Morris’ luminous, whimsical Moon lands in Brooklyn

Carla Escoda, 26th March

Commissioned by Washington DC's Kennedy Center in the before-times, Mark Morris' Moon lands more ominously today than it surely did when it was conceived. But it still radiates joy.

*****

The dance is not going away party: Mark Morris’ new Northwest

Carla Escoda, 22nd July

Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.

***11

Dancers come and go, The Hard Nut fresh as ever

Carla Escoda, 12th December

It's 33 years since its premiere in Brussels, and in its eighth season in New York at the Brooklyn Academy of Music, this irreverent American classic is still firing on all cylinders.

*****

Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Susan Stempleski, 16th May

The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.

*****

Kansas City Ballet: Barminess in Bliss Point

Hilary Stroh, 12th May

Alexander Ekman's Cacti is the zany highlight of the evening!

*****

Visions of Classical (Re)Vision in San Francisco

Jaime Robles, 11th February

“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”

****1

Weitere Kritiken...

Teresa Heiland

Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.

Mark Morris’ Dido and Aeneas returns to Irvine, CA