Morris' Dido and Aeneas is a gem

Por Teresa Heiland, 17 mayo 2015

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“a perfectly balanced, well-cut gem”

Crítica hecha desde UC, Irvine Barclay Theatre, Irvine el 15 mayo 2015

Dido and Aeneas (Mark Morris)

Mark Morris Dance Group

Jamie Van Eyck, Mezzosoprano

Douglas Williams, Bajo

Sherezade Panthaki, Soprano

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Commissioned by Washington DC's Kennedy Center in the before-times, Mark Morris' Moon lands more ominously today than it surely did when it was conceived. But it still radiates joy.

*****

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Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.

***11

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The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.

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Kansas City Ballet: Barminess in Bliss Point

Hilary Stroh, 12th May

Alexander Ekman's Cacti is the zany highlight of the evening!

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Visions of Classical (Re)Vision in San Francisco

Jaime Robles, 11th February

“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”

****1

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Teresa Heiland

Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.

Mark Morris’ Dido and Aeneas returns to Irvine, CA