Hubert Essakow’s fiery IGNIS

Von Catherine Sutherland, 13 Februar 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Print Room Theatre at the Coronet, Kensington, London, am 12 Februar 2014

IGNIS (Hubert Essakow)

Sara Kestelman, Schauspiel

Jordi Calpe Serrats, Tanz

Lukasz Przytarski, Tanz

Noora Kela, Tanz

Teshigawara takes on Dostoevsky: The Idiot at the Print Room

Graham Watts, 27th March

Teshigawara is now 65 and it is beyond comprehension that a man can still move with such muscular control and feline fluidity well into his seventh decade.

***11

Maliphantworks

Graham Watts, 10th March

Maliphant has achieved a unique movement style and a highly collaborative artistic direction, largely built upon instinctive cooperative understanding with long-term partners

*****

Triptych: Erratica by name, Erratica by nature at the Print Room

Penny Homer, 22nd May

Mixed fare from Opera Erratica’s short trio, loosely based on Puccini’s Il trittico.

***11

Jealousy at The Print Room

Kit Brown, 7th February

Alain Robbe-Grillet’s 1957 novel La Jalousie, or Jealousy (though it could also be translated to mean ‘Venetian blinds’), has received a new translation into the media of art and dance at The Print Room in Notting Hill. The small-scale theatre and arts space is relatively new, set up in 2010. Since then it has promoted itself as a multi-disciplinary space.

****1

Der Norm nicht entsprechen: The Romeo beim Holland Festival

Michael Klier, 26th June

Trajal Harrells moderne Choreographie erzählt die Geschichte des Romeo und sagt dabei mehr als tausend Worte...

****1

Marcos Morau bezaubert mit neuer Choreographie in Den Haag

Michael Klier, 16th May

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

****1

Weitere Kritiken...

Catherine Sutherland

Catherine has recently moved to Beijing, where she writes, studies Chinese, and teaches English at a university. She has an avid interest in East and Southeast Asian performing arts and has also lived in Seoul, South Korea, and speaks Korean. Catherine is a graduate of Royal Holloway, University of London, worked as dance editor for Bachtrack for 6 months. You can read more on Catherine's Wordpress blog Catherine and the Lion

Dance and poetry in Hubert Essakow’s fiery IGNIS