Hubert Essakow’s fiery IGNIS

Par Catherine Sutherland, 13 février 2014

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Critique faite à Print Room Theatre at the Coronet, Kensington, Londres, le 12 février 2014

IGNIS (Hubert Essakow)

Sara Kestelman, Comédien

Jordi Calpe Serrats, Danse

Lukasz Przytarski, Danse

Noora Kela, Danse

Teshigawara takes on Dostoevsky: The Idiot at the Print Room

Graham Watts, 27th March

Teshigawara is now 65 and it is beyond comprehension that a man can still move with such muscular control and feline fluidity well into his seventh decade.

***11

Maliphantworks

Graham Watts, 10th March

Maliphant has achieved a unique movement style and a highly collaborative artistic direction, largely built upon instinctive cooperative understanding with long-term partners

*****

Triptych: Erratica by name, Erratica by nature at the Print Room

Penny Homer, 22nd May

Mixed fare from Opera Erratica’s short trio, loosely based on Puccini’s Il trittico.

***11

Jealousy at The Print Room

Kit Brown, 7th February

Alain Robbe-Grillet’s 1957 novel La Jalousie, or Jealousy (though it could also be translated to mean ‘Venetian blinds’), has received a new translation into the media of art and dance at The Print Room in Notting Hill. The small-scale theatre and arts space is relatively new, set up in 2010. Since then it has promoted itself as a multi-disciplinary space.

****1

L'énergie brute de Shechter II dans In the Brain aux Abbesses

Julie Jozwiak, 3rd April

La jeune troupe d'Hofesh Shechter montre tout son immense talent, dans un formidable élan de libération des pulsions et des êtres comme ils sont.

*****

(La) Horde tape dans le mille avec Roommates au Centquatre

Julie Jozwiak, 2nd April

Dans le cadre du festival Séquence Danse, le Ballet national de Marseille et son collectif de directeurs artistiques ont proposé un spectacle ambitieux et intelligent en six temps.

****1

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Catherine Sutherland

Catherine has recently moved to Beijing, where she writes, studies Chinese, and teaches English at a university. She has an avid interest in East and Southeast Asian performing arts and has also lived in Seoul, South Korea, and speaks Korean. Catherine is a graduate of Royal Holloway, University of London, worked as dance editor for Bachtrack for 6 months. You can read more on Catherine's Wordpress blog Catherine and the Lion

Dance and poetry in Hubert Essakow’s fiery IGNIS