Garsington Opera's Fidelio proves entertaining but emotionally flat

Von Ilana Walder-Biesanz, 07 Juni 2014

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“Peter Wedd begins the second act with a stunning crescendo and achingly sung aria”

Rezensierte Veranstaltung: Garsington Opera, High Wycombe, am 6 Juni 2014

Beethoven, Fidelio

Garsington Opera

Douglas Boyd, Musikalische Leitung

John Cox, Regie

Rebecca von Lipinski, Leonore

Peter Wedd, Florestan

Darren Jeffery, Don Pizarro

Stephen Richardson, Rocco

Jennifer France, Marzelline

Sam Furness, Jaquino

Joshua Bloom, Don Fernando

Monteverdi and Ulisse return happily to Garsington Opera

David Karlin, 12th June

Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

****1

Viennese splendour in Garsington’s Rosenkavalier revival

Roy Westbrook, 28th May

Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast.

****1

Garsington’s new La traviata ticks every musical and dramatic box

David Karlin, 27th May

Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.

*****

A radically trad Fidelio at Garsington

Peter Quantrill, 27th June

Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.

****1

Ravishing Rodelinda: Handel al fresco at Garsington Opera

Roy Westbrook, 13th June

Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing.

****1

Three card trick: compelling new Queen of Spades at Garsington

Roy Westbrook, 29th May

Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.

****1

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Ilana Walder-Biesanz

Ilana Walder-Biesanz is a product manager for Yahoo, a theatre and opera critic, and a classically trained mezzo-soprano. She explored theater and opera stagings as a Gates Scholar at Cambridge and as a Fulbright Scholar in Germany. She currently writes for Bachtrack, San Francisco Classical Voice, and Stark Insider. Twitter: @ilana_wb.