Schubert from Fleming, Noseda, the NSO... and Berio!

Von Susan Gould, 24 Januar 2019

Laden, bitte warten...

Veranstaltung anzeigen

“a leisurely tempo ideal for Fleming's expressive, silvery voice”

Rezensierte Veranstaltung: Kennedy Center: Concert Hall, Washington, am 18 Januar 2019

Schubert, Rosamunde, D.797: Overture

Schubert, Rosamunde, D.797: Ballet music

Schubert, Ausgewählte Lieder

Berio, Rendering, for orchestra, based on Schubert's sketches for a 10th symphony

Renée Fleming, Sopran

National Symphony Orchestra

Gianandrea Noseda, Musikalische Leitung

Im Zeichen der Manierismen

Simon Haasis, 9th February

Lang Lang, Christoph Eschenbach und das National Symphony Orchestra Washington zu Gast im Wiener Konzerthaus.

***11

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

****1

Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Weitere Kritiken...

Susan Gould

Philadelphia native Susan Gould has been writing professionally about classical music since her Barnard College years in New York. She has written for both American and European publications, primarily during fifteen years in Europe, and has done liner notes for recordings and program notes for opera companies and orchestras. Among those she has interviewed have been Sills, Tebaldi, Popp and Fleming; Bumbry, Ludwig, Fassbaender, and von Stade; del Monaco, Kraus and Pavarotti; Prey, Morris and Ramey; Muti, Abbado, Giulini, Sawallisch, and Eschenbach. Fluent in Italian, German and French, she has coached both student and professional singers in foreign-language diction since 1980.

Schubert from Renée Fleming, Gianandrea Noseda, the NSO... and Luciano Berio!