Astonishing Années de pèlerinage from Louis Lortie as collected stories continues

Von Rebecca Lentjes, 28 April 2014

Laden, bitte warten...

Veranstaltung anzeigen

“Every sound... every silence and everything in between was under Mr Lortie’s command”

Rezensierte Veranstaltung: Carnegie Hall: Zankel, New York City, am 26 April 2014

Liszt, Années de pèlerinage

Liszt, Isolde's Liebestod from Wagner's Tristan und Isolde, transc. for piano, S 447

Louis Lortie, Klavier

Chopin and Franck reframed with elegance and insight in Dublin

Andrew Larkin, 20th March

In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

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Louis Lortie rend hommage à Gabriel Fauré Salle Gaveau

Alain Lompech, 12th March

Au seuil de l'année du centenaire de la mort de Fauré, le pianiste canadien a livré un récital exceptionnel, aussi riche en sonorités que naturel dans la conduite du discours.

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Louis Lortie en héraut des vingt-quatre Études de Chopin

Alain Lompech, 7th November

Exécuter en une soirée les deux cahiers des Études du compositeur est un exploit physique et psychique ! Salle Gaveau, Louis Lortie triomphe des nombreux défis de la partition.

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Louis Lortie saves the day in Philadelphia

Cameron Kelsall, 11th February

The French-Canadian pianist replaced an ailing Rudolf Buchbinder, kicking off the Philadelphia Chamber Music Society's first complete Beethoven piano sonata cycle.

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Louis Lortie shines in uneven program of Schubert and Mahler

Linda Holt, 18th October

Louis Lortie amazes in the Schubert-Liszt Wanderer Fantasy, while The Philadelphia Orchestra under Nézet-Séguin struggles but ultimately triumphs with Mahler's Fifth.

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Lortie plays Liszt's complete Années de pèlerinage

Roy Westbrook, 28th April

The several empty seats were probably a comment on the current reputation of the composer more than that of the pianist. Both deserved a full house.

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Weitere Kritiken...

Rebecca Lentjes

Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.