Lortie plays Liszt's complete Années de pèlerinage

Von Roy Westbrook, 29 April 2019

Laden, bitte warten...

Veranstaltung anzeigen

“The plashing of the fountain was beautifully evoked by Lortie’s fluent and gleaming playing”

Rezensierte Veranstaltung: Wigmore Hall, London, am 28 April 2019

Liszt, Années de pèlerinage, Première année: Suisse, S 160

Liszt, Années de pèlerinage, Deuxième année, Italie, S 161

Liszt, Années de pèlerinage, Troisième année, S 163

Louis Lortie, Klavier

Chopin and Franck reframed with elegance and insight in Dublin

Andrew Larkin, 20th March

In Dublin, Jean-Luc Tingaud and Louis Lortie bring clarity and purpose to two composers often ill at ease with the orchestra.

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Louis Lortie rend hommage à Gabriel Fauré Salle Gaveau

Alain Lompech, 12th March

Au seuil de l'année du centenaire de la mort de Fauré, le pianiste canadien a livré un récital exceptionnel, aussi riche en sonorités que naturel dans la conduite du discours.

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Louis Lortie en héraut des vingt-quatre Études de Chopin

Alain Lompech, 7th November

Exécuter en une soirée les deux cahiers des Études du compositeur est un exploit physique et psychique ! Salle Gaveau, Louis Lortie triomphe des nombreux défis de la partition.

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Louis Lortie saves the day in Philadelphia

Cameron Kelsall, 11th February

The French-Canadian pianist replaced an ailing Rudolf Buchbinder, kicking off the Philadelphia Chamber Music Society's first complete Beethoven piano sonata cycle.

*****

Louis Lortie shines in uneven program of Schubert and Mahler

Linda Holt, 18th October

Louis Lortie amazes in the Schubert-Liszt Wanderer Fantasy, while The Philadelphia Orchestra under Nézet-Séguin struggles but ultimately triumphs with Mahler's Fifth.

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Prom 14: Storgårds and the BBC Philharmonic go for contrasts

Alexander Hall, 24th July

Contrasts are fine but they don’t always work: in a programme with a strongly Germanic flavour John Storgårds and the BBC Philharmonic stretch the boundaries.

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Weitere Kritiken...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Heaven and Hell at Wigmore Hall: Lortie plays Liszt's complete Années de pèlerinage