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Gradually going flat: Lucia di Lammermoor at Buxton Opera Festival

Von Charlotte Valori, 15 Juli 2015
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Buxton Opera House, Buxton, am 12 Juli 2015
Programm
Donizetti, Lucia di Lammermoor
Darsteller
Buxton Festival Opera
Stephen Barlow, Musikalische Leitung
Stephen Unwin, Regie
Jonathan Fensom, Bühnenbild
Elin Pritchard, Lucia
Adriano Graziani, Edgardo
Stephen Gadd, Enrico
Natalie Sinnott, Alisa
Bonaventura Bottone, Arturo
Richard Roberts, Normanno
Andrew Greenan, Raimondo
Northern Chamber Orchestra
Weitere Oper Kritiken
From the ballroom to the trenches: The Land of Might-Have-Been
Sarah Noble, 15th July
Setting the life of Vera Brittain to the music of Ivor Novello, Buxton Festival's new musical is a welcome if overambitious showcase for them both.
***11
Arcadia in the Peak District: Mozart's Il re pastore in Buxton
Sarah Noble, 9th July
Mozart's early opera seria may not be his greatest achievement – but lightness of touch from all involved highlight its charms in Jack Furness' new production. 
***11
Buxton Festival celebrates 40th anniversary with Eugene Onegin
Robert Gainer, 6th July
Every July, Buxton’s charming opera house hosts an international festival of opera, literature and the arts. This year the festival opened with a strong familiar favourite, Tchaikovsky’s Eugene Onegin.
****1
For teenage kicks: Mozart's Lucio Silla at Buxton International Festival
Charlotte Valori, 9th July
The fashion for reviving Mozart's teenage operas brings a vocally dazzling production of Lucio Silla to Buxton, nevertheless hampered by the work's own lack of believable drama and some fairly flat staging. 
***11
Fresh peaches of temptation
Charlotte Valori, 8th July
A period-perfect Albert Herring from Francis Matthews for Buxton International Festival takes time to settle into its stride, but provides plenty of laughs along the way. 
****1
Verdi's Macbeth at Buxton International Festival
Charlotte Valori, 7th July
A searing, edge-of-your-seat spinetingler from Elijah Moshinsky makes the strongest possible case for Verdi's first Macbeth, ideally suited to the proportions of Buxton's beautiful Opera House.
*****
Weitere Kritiken...
Kritiken von
Adriano GrazianiAndrew GreenanBonaventura BottoneBuxton Festival OperaElin PritchardGaetano DonizettiJonathan FensomLucia di LammermoorNatalie SinnottNorthern Chamber OrchestraRichard RobertsStephen BarlowStephen GaddStephen Unwin
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Charlotte Valori
Charlotte Valori
Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.