Dance@TheGrange: McGregor, Marston and young choreographers

Von Sarah Kirkup, 28 Juni 2019

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Veranstaltung anzeigen

“McGregor’s kinetic choreography barely lets up”

Rezensierte Veranstaltung: The Grange, Alresford, am 26 Juni 2019

Outlier (Sir Wayne McGregor)

WASHA: The Burn from the Inside (Mthuthuzeli November)

Clay (Alice Topp)

Little Atlas (Alice Topp)

The Suit (Cathy Marston)

Ballet Black

Alessandra Ferri, Tanz

Lucy Carter, Licht

Rebecca Bassett-Graham, Tanz

Izzac Carroll, Tanz

Jordan James Bridge, Tanz

Jacob O'Connell, Tanz

Camille Bracher, Tanz

José Alves, Tanz

Cira Robinson, Tanz

Krieg, Macht und Hoffnung: Shadows am Dutch National Ballet

Michael Klier, 13th September

Das Niederländische Nationalballett zeigt zum Saisonauftakt einen aktuellen und kritischen Ballettabend.

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Die Schönheit der Zergliederung: Wayne McGregors Tree of Codes

Stephan Eckel, 26th June

Wayne McGregor schafft eine anspruchsvolle Choreographie, die subtil an Geschwindigkeit und Intensität aufnimmt und klassische Posen mit nervösen Zuckungen kombiniert.

*****

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

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Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

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Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

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Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

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Sarah Kirkup

Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.

Dance@TheGrange presents McGregor, Marston and young choreographers