Dance@TheGrange: McGregor, Marston and young choreographers

Por Sarah Kirkup, 28 junio 2019

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“McGregor’s kinetic choreography barely lets up”

Crítica hecha desde The Grange, Alresford el 26 junio 2019

Outlier (Wayne McGregor)

WASHA: The Burn from the Inside (Mthuthuzeli November)

Clay (Alice Topp)

Little Atlas (Alice Topp)

The Suit (Cathy Marston)

Ballet Black

Alessandra Ferri, Bailarín

Lucy Carter, Diseño de iluminación

Rebecca Bassett-Graham, Bailarín

Izzac Carroll, Bailarín

Jordan James Bridge, Bailarín

Jacob O'Connell, Bailarín

Camille Bracher, Bailarín

José Alves, Bailarín

Cira Robinson, Bailarín

Autobiography de un cuerpo sin rostro por Company Wayne McGregor

Cintia Borges Carreras, 7th December

El algoritmo matemático de Autobiography descodifica cuerpos, fragmenta la memoria y altera el equilibrio emocional a través de un montaje atlético y un paisaje lumínico con narrativa propia.

****1

Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

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Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

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Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

****1

Un passionnant panorama de la danse contemporaine à Bordeaux

Julie Jozwiak, 10th April

Temps fort de la saison du Ballet de l'Opéra National de Bordeaux, la soirée « Quatre tendances » associe cette année deux créations de Wiest et Casquilho et deux œuvres cultes de McGregor et León & Lighfoot.

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McGregor’s Deepstaria explores the deepest recesses of the oceans

Graham Watts, 27th February

A visually striking and thought-provoking work requiring continual concentration to absorb.

***11

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Sarah Kirkup

Sarah Kirkup has been Deputy Editor of Gramophone since 2010. She also writes for publications including the Royal Opera House’s in-house magazine and programmes for The Royal Ballet, and reviews dance events for cross-arts online magazine The Cusp. She is particularly interested in the relationship between music and dance, and has spoken on this subject at panel discussions, talks and events.

Dance@TheGrange presents McGregor, Marston and young choreographers