Excuses to dance: The Mikhailovsky Ballet's Laurencia at the Coliseum

Von Margaret Willis, 04 April 2013

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: The London Coliseum, London, am 2 April 2013

Laurencia (Vakhtang Chabukiani)

Mikhailovsky Ballet

Natalia Osipova, Tanz

Ivan Vasiliev, Tanz

Oksana Bondareva, Tanz

Sabina Yapparova, Tanz

Nikolay Korypayev, Tanz

Andrey Yakhnyuk, Tanz

Pavel Maslennikov, Tanz

Philip Parkhachov, Tanz

Virtuoso dancing in Hungarian National Ballet's Laurencia

Graham Watts, 6th March

A ballet to be enjoyed for its visual spectacle, strong and purposeful choreography and a pacy momentum that builds into a rousing finale.

***11

Russian Ballet Icons Gala; 100-Year Anniversary of Galina Ulanova

Margaret Willis, 15th May

The Russian ballerina Galina Ulanova is a true legend in the world of classical ballet. Her dramatic interpretations plumbed deep into the human soul and revealed its full gamut of emotion and poetic beauty.

Kyiv City Ballet: seeking peace through heartfelt performances

Vikki Jane Vile, 28th September

In February 2022, Kyiv City Ballet embarked upon a three week tour of France having finally recovered from scheduling disruption due to COVID, and haven't been back since.

***11

Virtuoso dancing in Hungarian National Ballet's Laurencia

Graham Watts, 6th March

A ballet to be enjoyed for its visual spectacle, strong and purposeful choreography and a pacy momentum that builds into a rousing finale.

***11

Glass' Echnaton der ENO

David Karlin, 4th March

Phelim McDermott begibt sich in Philip Glass' Altes Ägypten: eine Produktion mit Starauftritt von Anthony Roth Costanzo, die zu sehen und zu hören absolut fesselnd ist.

*****

Stacheldraht und Haferschleim: ENOs Forza del destino

Mark Pullinger, 9th November

Calixto Bieitos neue Produktion von Verdis Die Macht des Schicksals für die Englische Nationalopar ist - für ihn - eine zahme Angelegenheit.

***11

Weitere Kritiken...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.