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San Francisco Ballet steps into a world of new dance

Von Jaime Robles, 22 April 2018
Laden, bitte warten...
Veranstaltung anzeigen
“an exciting and fulfilling evening”
Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 20 April 2018
Programm
The Collective Agreement (Alonzo King)
Bound (Christopher Wheeldon)
Hurry Up, We're Dreaming (Justin Peck)
Darsteller
San Francisco Ballet
Weitere Tanz Kritiken
Atlanta Ballet shines in a mixed contemporary program
Rebecca Ehrhardt, 3rd April
Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour. 
*****
NYCB: Ratmansky’s The Naked King is not satire, but good fun
Ivy Lin, 7th February
New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.
****1
Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille
Laurine Mortha, 6th October
Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.
***11
The Royal Ballet’s Like Water for Chocolate is sumptuous but complex
Amanda Jennings, 1st October
The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.
****1
Ballet Nights makes an impressive and unforgettable Scottish debut
Kathy Elgin, 4th July
Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.
****1
ABT in Wheeldon’s The Winter’s Tale: CliffsNotes Shakespeare
Ivy Lin, 2nd July
Christopher Wheeldon’s The Winter’s Tale is a sumptuous looking production but on this occasion, it didn’t come to life emotionally.
***11
Weitere Kritiken...
Kritiken von
Alonzo KingBoundChristopher WheeldonHurry Up, We're DreamingJason MoranJustin PeckSan Francisco Ballet
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.