Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Justin Peck

Over twenty-two vignettes, some long, others short, a cast of thirty pedestrianizes ballet. The work suggests that who you are matters more than what you do. 

Australian Ballet's latest triple bill features fresh young talent and new names to watch in creations by Wayne McGregor, Alice Topp and Justin Peck.

Concerto DSCH received a raucous reception during curtain calls. It’s a classic closer for an evening in that it sends everyone home happy. It doesn’t below as the middle ballet. Programming gods at NYCB, are you listening?

Anthony Roth Costanzo's multidisciplinary project arrives at the BBC Proms in the grungy, industrial space of Printworks London, but music seems a long way down the pecking order. 

Partita has emerged as one of the stronger Peck ballets. If we see more Partita and less Principia, that’s a good thing.

Four works – one new, two older and a PNB premiere – display the company in all its imaginative versatility and fine technique.

Gonzalo Garcia bows out from NYCB with a ridiculously ambitious program of Robbins, Peck and Balanchine.

The NYCB dancers are very at-home in this idiom, and they threw themselves wholeheartedly into this ballet. It was never less than watchable, but the music cried out for more avante-garde choreography than Peck provided.

Sofia Coppola's film closed on a note of optimism. The message seemed to be: “Normality is just around the corner. We’re coming back.” 

New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

The Joffrey Ballet presents a roster of choreographers with new approaches, a positive impression for the future of ballet. 

Alexei Ratmansky draws out exceptional individual qualities of each of five ballerinas in his intriguing world premiere for New York City Ballet, set to spoken word and live piano.

An enjoyable evening of thematic dance but without any insights into the future of ballet. 

Ballets live and die by their scores – as Balanchine knew when he kept returning to Stravinsky. His Symphony in Three Movements will live forever, as will Justin Peck's The Times are Racing, to Dan Deacon's America.

Modern dance choreographer Pam Tanowitz' first commission for New York City Ballet proved unruly yet fascinating, sandwiched between George Balanchine's enduring Valse-Fantaisie and Western Symphony.

An imperfect performance, but after Tanowitz's muddled Bartók, Balanchine's Tchaikovsky Suite no. 3 was like balm.

A triple bill of 21st-century ballets at the Koch Theater sees the return of Alexei Ratmansky's masterpiece, Pictures at an Exhibition. 

An all-Balanchine program that is remarkably energetic and free at New York City Ballet

Among the standouts at the San Francisco Ballet gala evening performance were Ana Sophia Scheller in Rubies, Sasha De Sola in Études, Benjamin Freemantle in Agon, and Misa Kuranaga and Angelo Greco in Handel-A Celebration.

Sneakers gave even the most challenging of balletic steps a freer, looser quality, as if the dancers were about to step into flight.

Contemporary Ballet is alive, thriving and pushing in Boston

Alexei Ratmansky and Justin Peck are all the more impressive among choreographers working today because of how many of their works seem destined to stay in the repertoire for a long time to come.

From the ethereal to the galavanting, the program offered a spectrun of emotions delivered with precise technique and abandoned energy. 

This program was a good one to inspire your confidence about the future of choreography.

San Francisco Ballet gives a rousing account of Justin Peck's ground-breaking Rodeo, newcomers Ana Sophia Scheller and Ulrik Birkkjær make waves, and Carlo DiLanno wins my vote for MVP at this season's gala. 

Eclectic and contemporary, The Joffrey Ballet reimagines human and kinetic beauty.

Is there anything Tiler Peck can’t do? After her just completed triumph in Swan Lake we’re obliged to say no.

The audience at Sadler's Wells welcomes Carlos Acosta like an old friend. Their whole-hearted warmth extends to embrace his fledging company Acosta Danza in its UK debut. Based in Havana, Cuba, this intrepid group of dancers is rapidly forging an international reputation. Punching above their weight they arrive in London with a programme of five contrasting works, and showcasing three choreographers from the Spanish-speaking world.

BalletNOW returns to the Glorya Kaufman Presents Dance at the Music Center in Los Angeles. The production features dancers from six different major ballet companies, but fails to impress.

Open-ended works provide different angle on Ballet across America

A successful program of Kylian, Peck and Forsythe. 

New York City Ballet under Peter Martins continues to nurture talent from its budding dancers and choreographers and it's all to the good.

Une nouvelle saison s’ouvre à l’Opéra Garnier, avec une soirée réunissant les chorégraphies de Justin Peck et William Forsythe créées l’année dernière, la création de la talentueuse chorégraphe canadienne Crystal Pite The Seasons’ Canon, et une composition sans titre de Tino Sehgal

L.A. Dance Project, collectif fondé et dirigé par Benjamin Millepied, est de retour à Paris au Théâtre des Champs Elysées avec un programme néoclassique mêlant Martha Graham, William Forsythe, Justin Peck et Benjamin Millepied.

The company of ten is filled with very well trained dancers, mostly from Juilliard’s highly regarded dance program, and they are all quite good. 

Ce Quartet chorégraphié semble consigner les souvenirs d'enfance de George Balanchine.

Energetic evening to start your summer. You can cut out Dawson's tableaus and frame them on the wall.

Miami City Ballet bears a marked resemblance to the New York City Ballet under Balanchine.

What Wheeldon seems to have used from this musical concept for the formation of the choreography is the idea of a mechanical universe, overrun by the presence of time.

Le Ballet de l’Opéra de Paris présente une nouvelle soirée néoclassique qui met à l’honneur trois générations de chorégraphes : Georges Balanchine, Jerome Robbins et les chorégraphes contemporains Alexeï Ratmansky et Justin Peck.

This season's Director's Choice presents three works by choreographers Justin Peck, Alejandro Cerrudo and Paul Gibson, who, according to PNB Artistic Director Peter Boal, are among the "truly gifted" of our time.  

A high-spirited divertissement from the New York City Ballet.

Benjamin Millepied, choreographer for the movie Black Swan, presents his company L.A. Dance Project at the Wallis Annenberg Center of the Performing Arts.

NYC Ballet's fashion-forward program of five new works helps to keep things interesting.

Peter Martins's greatest legacy at New York City Ballet is his tremendous eye for talent and it was on full display at this matinee show.

New York City Center's Fall for Dance Festival opens with performances by Miami City Ballet, L.A. Dance Project, Doug Elkins Choreography, etc. and Che Malambo

The double bill of Liebeslieder Walzer and Tschaikovsky Suite No. 3 is a cloying juxtaposition that serves neither well at New York City Ballet. A handful of fascinating performances rescue the evening. 

Justin Peck reinvents Agnes de Mille's classic Rodeo with his thoroughly charming and fun ‘Rōdē,ō: Four Dance Episodes.

Ivan Talijancic discusses L.A. Dance Project's New York debut, a Millepied - Peck - Forsythe mixed bill.