A disapointing Sorolla

Von Cristina de Lucas, 14 November 2017

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Teatro Real: Sala Principal, Madrid, am 12 November 2017

Sorolla (Arantxa Carmona, Miguel Fuente, Manuel Liñán, Antonio Najarro)

Ballet Nacional de España

Manuel Coves, Musikalische Leitung

Franco Dragone, Regie

Vincent Lemaire, Bühnenbild

Nicolás Vaudelet, Kostüme

Orquesta Titular del Teatro Real

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****1

Una Electra como si de Lorca fuera

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Ballet Nacional de España presents a vibrant 40th anniversary gala

Cristina de Lucas, 8th December

Ballet National de España (BNE) celebrates its 40th anniversary with a vibrant gala that brings together old and new landmarks of its repertory. Madrid’s Teatro de la Zarzuela hosts the event.

****1

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Leonardo Mattana Ereño, 19th April

Laurent Pelly y Gustavo Gimeno dirigen una encantadora producción de La novia vendida en la que todos los intérpretes extrajeron la mejor esencia de la música de Smetana.

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

Ballet Nacional de España’s Sorolla: a disapointing collage of Spanish dances