Sadler's Wells Associates

Von Cristina de Lucas, 08 Februar 2015

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Veranstaltung anzeigen

“Chu and Plamondon transmitted the elusive but vivid quality of the story neatly and convincingly.”

Rezensierte Veranstaltung: Sadler's Wells Theatre, London, am 6 Februar 2015

A Picture of You Falling (Crystal Pite)

The barbarians in love (Hofesh Shechter)

Smile (Kate Prince)

Marcos Morau bezaubert mit neuer Choreographie in Den Haag

Michael Klier, 16th May

Zwei Premieren von Marcos Morau und Yoann & Marie Bourgeois sowie Crytal Pites Paradestück Solo Echo sorgen für einen elektrisierenden Abend.

****1

Thomas Adès‘ The Tempest verzaubert an der Wiener Staatsoper

Snapdragon, 14th May

Ewig faszinierender Shakespeare in zeitgenössischer Musik und modernem Gewand, das „hat was“.

****1

Wagemutige Himmelsstürmer: NDT 2 tanzt Pite, Soulier und Inger

Michael Klier, 16th March

Ein abwechslungsreicher Theaterabend, der die Klasse auch der Juniorcompagnie des NDT einmal mehr eindrucksvoll unter Beweis stellt.

****1

Das NDT 1 tanzt die Dringlichkeit der Klimakatastrophe

Michael Klier, 6th May

Drei ereignisreiche Uraufführungen von Gabriela Carrizo, Crystal Pite und Roy Assaf lassen die Zuschauer so schnell nicht mehr los.

*****

English National Ballet’s Body and Soul: a very mixed bag

Deborah Weiss, 19th March

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

***11

Strength to strength: NDT 1’s Resonance feels like a victory lap

Mark Vicente, 10th December

A triumphant evening showcasing the breadth and depth of NDT’s artistic intellect, and their dazzling versatility across various choreographic landscapes.

*****

Weitere Kritiken...

Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

The Associates at Sadler’s Wells: new horizons