A spring hit for Royal Ballet's The Winter's Tale

Von Margaret Willis, 13 April 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 10 April 2014

The Winter's Tale (Christopher Wheeldon)

The Royal Ballet

David Briskin, Musikalische Leitung

Natasha Katz, Kostüme

Bob Crowley, Bühnenbild

Lauren Cuthbertson, Tanz

Edward Watson, Tanz

Federico Bonelli, Tanz

Sarah Lamb, Tanz

Steven McRae, Tanz

Zenaida Yanovsky, Tanz

BalletBoyz: Still Pointless at 25 and still making it work!

Maggie Foyer, 13th May

The BalletBoyz present an entertaining programme of old and new works spanning the last 25 years – with stellar performances.

****1

Contemporary escapism at New York City Ballet

Carla Escoda, 1st May

A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

****1

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Les « Racines » inégales du Ballet de l’Opéra de Paris à Bastille

Laurine Mortha, 6th October

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

***11

The Royal Ballet’s Like Water for Chocolate is sumptuous but complex

Amanda Jennings, 1st October

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

****1

Weitere Kritiken...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.