Tremendous Turangalîla from the RLPO

Von Hugh Morris, 26 Januar 2018

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Philharmonic Hall, Liverpool, am 25 Januar 2018

Messiaen, Turangalîla

Vasily Petrenko, Musikalische Leitung

Steven Osborne, Klavier

Nathalie Forget, Ondes Martenot

Royal Liverpool Philharmonic Orchestra

Dazzling Prokofiev from Alim Beisembayev and the RLPO

Peter Connors, 26th April

In an all-Russian programme in Liverpool, Alim Beisembayev gives a breathtaking performance of Prokofiev's fiendishly difficult Second Piano Concerto.

****1

Dependable Mozart and Mendelssohn from the RLPO

Glyn Mon Hughes, 16th April

Aurel Dawidziuk and the Royal Liverpool Philharmonic Orchestra explore darkness and light, although the drama does not always bringing the audience to the edge of its collective seat.

***11

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Domingo Hindoyan's warm Bruckner 6 beguiles Liverpool

Peter Connors, 5th February

Schubert and Saint-Saëns provide an elegant first half before a change of tone and pace with Bruckner's Sixth Symphony.

****1

Sidorova mesmerises Liverpool with Tabakova’s Accordion Concerto

Glyn Mon Hughes, 22nd January

An unusual evening of orchestral virtuosity and an ear-opening adventure with the Royal Liverpool Philharmonic Orchestra under Andris Poga.

****1

Lozakovich, Foster and the RLPO: glorious Bruch and Tchaikovsky

Peter Connors, 4th December

Daniel Lozakovich captivated the audience in Liverpool with his Bruch; Lawrence Foster conducted the RLPO in superb performances of less familiar Liszt and Tchaikovsky.

*****

Weitere Kritiken...

Hugh Morris

Hugh is a freelance writer and composer based in Manchester. He contributes to a range of publications in the UK and US, including GRAMMY, Jazzwise, Reverb, The Sampler, The Calvert Journal and The Big Issue across music, politics and society. He also works for London-based jazz label Whirlwind Recordings, and for Manchester music charity Olympias Music Foundation.

Tremendous Turangalîla from Petrenko and the RLPO