A fulfilling partnership by Alisa Weilerstein and Inon Barnatan

Von Edward Sava-Segal, 26 März 2021

Laden, bitte warten...

“Weilerstein’s gift for using infinitesimal variations of nuances and shadows was obvious”

Rezensierte Veranstaltung: The 92nd Street Y: Kaufmann Concert Hall, New York City, am 25 März 2021

Falla, Suite populaire espagnole

Rachmaninow, Cellosonate g-Moll, Op. 19

Alisa Weilerstein, Cello

Inon Barnatan, Klavier

Piano trios x 3 from Weilerstein, Jackiw and Barnatan at QEH

Roy Westbrook, 30th November

The classical equivalent to a pop “supergroup” assembles at the Southbank Centre for piano trios by Rachmaninov, Ravel and Beethoven.

****1

Seattle Chamber Music Society launches its 2025 summer festival

Thomas May, 6th July

The Seattle Chamber Music Society opens its 2025 summer festival with a program of striking emotional depth, musical refinement and rapturous ensemble connection.

****1

Eun Sun Kim makes dazzling Boston Symphony Orchestra debut

Kevin Wells, 8th March

Late-career works by Lyadov, Bartók and Rachmaninov dominated the program, which featured Inon Barnatan as piano soloist.

*****

Barnstorming performances from Inon Barnatan at Wigmore Hall

Chris Garlick, 6th October

Inon Barnatan hits the ground running with Ravel in his recital, concluding with his own transcription of Rachmaninov's Symphonic Dances.

****1

Oksana Lyniv makes a dazzling Cleveland Orchestra debut

Frank Kuznik, 11th July

Oksana Lyniv gets the best out of The Cleveland Orchestra, treating the audience to spellbinding versions of charming fables.

*****

Mozart-lite and standard issue Bartók from Canellakis and Barnatan

Laurence Vittes, 27th April

Karina Canellakis comes along at just the right moment to see what a possible contender for the open LA Phil post could bring.

***11

Weitere Kritiken...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

A fulfilling interpretative partnership: Alisa Weilerstein and Inon Barnatan