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Veranstaltungsort: Frauenkirche, Dresden

Kurzprofil
AdresseD 01067 Dresden
Sachsen
Deutschland
Google maps51° 3' 27.179" N 13° 43' 1.433" E
Dezember 2026
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Abendvorstellung
Matinee
Veranstaltungstippsmehr...

DresdenZKO on Tour — Daniel Hope

Zürcher Kammerorchester
Bach C.P.E., Marcello, Corelli, Vivaldi, Telemann, Geminiani, Bach
Zürcher Kammerorchester; Daniel Hope; Daria Zappa Matesic; Nicola Mosca

DresdenZKO on Tour — Daniel Hope

Zürcher Kammerorchester
Bach C.P.E., Marcello, Corelli, Vivaldi, Telemann, Geminiani, Bach
Zürcher Kammerorchester; Daniel Hope; Daria Zappa Matesic; Nicola Mosca

DresdenZKO on Tour — Daniel Hope & Nils Landgren

Zürcher Kammerorchester
Copland, Bernstein, Sondheim, Gershwin, Sting
Zürcher Kammerorchester; Daniel Hope; Nils Landgren; Johannes von Ballestrem

DresdenZKO on Tour — Daniel Hope & Kristian Bezuidenhout

Zürcher Kammerorchester
Mendelssohn Bartholdy, Mozart
Zürcher Kammerorchester; Daniel Hope; Kristian Bezuidenhout
Neue Kritikenmehr...

Gardiners Bachkantatenzyklus ist ein Sieg für die Ewigkeit

Die vier Bachkantaten verbreiteten in der Dresdner Frauenkirche in den Händen Gardiners und seiner Ensembles befreiende Freude.
*****
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Spontaneity and flare: Monteverdi madrigals in Dresden

Les Arts Florissants performs Monteverdi's Seventh Book of Madrigals with a sense of spontaneity and flare at the Dresdner Musikfestspiele.
*****
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The Royal Stockholm Philharmonic play Haydn, Britten and Schubert in Dresden

I often think you can tell the quality of an orchestra by looking at the back desks of its string sections, and the players on the fringes of the Royal Stockholm Philharmonic play with as much vigour as those at the front; their joy in the music is both visible and audible. The result is a strong and complex string sound, well blended, but with a coolness you don’t get from most German orchestras.
***11
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An evening of polyphony: The Tallis Scholars in Dresden

Singing polyphonic music requires a specific sound. To be truly effective there must be a beautifully rounded and well blended choral sound, but at the same time the individual lines must be clearly decipherable within the overall texture. This is a balance that The Tallis Scholars seem to find effortless.
***11
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