Kurzprofil
| Adresse | 11 West Road Cambridge East of England CB3 9DP Vereinigtes Königreich |
| Google maps | 52° 12' 9.779" N 0° 6' 28.123" E |
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Abendvorstellung
Matinee
Veranstaltungstippsmehr...
Cambridge1765: Times of Transition
Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe
CambridgeThe Art of the Harpsichord
Bach, Telemann, Händel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross
CambridgeThe Royall Consort
Lawes, Scheidt, Baltzar, Castello, Kapsberger, Simpson, Jenkins
Academy of Ancient Music; Laurence Cummings
Neue Kritikenmehr...
Suonare è danzare: Barocke Partnerwahl bei der AAM
Vor allem bei Händel hatten sich neue und alte Partner und Freunde gefunden, die in ihren Tanzschritten die momentane Schwere vergessen machten.
Effervescent Italian Baroque from the Academy of Ancient Music
The Academy of Ancient Music puts composer Dario Castello in the spotlight and in context in this live stream from the West Road Concert Hall in Cambridge.
Saint and Sinner in Cambridge
Richard Egarr conducts a pair of Haydn's London Symphonies and turns soloist in a piano concerto by Dussek.
Immortal thoughts: Mortal Voices
A mixed programme of Corelli, Handel and Pergolesi brings beauty and spiritual intensity, as well as some empowered erotic playfulness, to an evening with the Academy of Ancient Music.
Mixed Bach from the AAM in Cambridge
Music written by Bach for the Collegium Musicum, and also for the first Sunday after Easter, was played with skill and flourish by this exceptional orchestra; sadly, the singing was not consistently good enough to match.
Small palette, big picture: Acis and Galatea
The Academy of Ancient Music gave a finely honed account of Handel's unusual "little opera", written for the Earl of Carnavon's household musicians: a sweet pastoral offering never yet out of the repertoire.
The moon at noon: Britten Sinfonia
Clyne, Ligeti and Pärt sit down with Bach and Scarlatti for a spot of lunch!
Truly, madly, but not quite deeply enough
A superbly-sung title role from Ed Ballard is the best part of this otherwise patchy, well-sung but ultimately unmoving Werther from English Touring Opera.