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Gustavo Dudamel selects a trio of works by Latin American composers for a colorful and extravagant evening at the LA Phil.

The 27 year old Venezuelan conductor Glass Marcano impresses in music from Latin America and in Tchaikovsky's Fourth Symphony. 

From an unknown Mexican piece to an all-new Bryce Dessner concerto to the familiar Rite of Spring, Rouvali and the Philharmonia blow the roof off the Royal Festival Hall.

Alondra de la Parra and Camille Thomas, together with the Hamburg Philharmonic, refute suggestions that there could be a gender gap in the world of music-making.

Among the most memorable and exciting evenings of my concert-going experience have been some excellent performances by student orchestras. You would think there is a trade-off for this sort of experience and that often is the case: in exchange for that last degree of technical polish you’re recompensed with performances often more thrilling than those by their professional peers.

Many a dark tone roamed inside the Muziekgebouw as lovers of daring, opinionated orchestral music gathered there one day after the Mayan calendar ended. Diverse interpretations of apocalyptic fantasies and prophecies unfolded during this night. Apocalyptic, in its literal Greek meaning: revealing, disclosing.

Maestro Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela completed a four-day residency at Cal Performances with two concerts that rocked, rolled, and astounded audiences in Berkeley’s Zellerbach Hall.

It is bold for an Asian orchestra to tackle a programme of works with a strong and vibrant ethnic character. We got far more than we bargained for in the concert titled “Bravo! Piazzolla” by the Hong Kong Philharmonic on Friday, not only in terms of the generous encores but more so of the quality of performance.