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Ravel’s L’enfant et les sortilèges made up for an uneven first half that jumped from Mozart to Harry Potter.

Bach's crowning musical achievement made a disappointing return to the Philadelphia Orchestra repertoire after a 34-year absence.

A première of Machover's latest City Symphony leaves its mark beyond works by Bernstein and Mussorgsky. 

If you are going to hear any performance of Beethoven’s Ninth Symphony in the next decade, it should be from Sir Simon Rattle and the Berliner Philharmoniker. 

The Vienna Philharmonic, the Westminster Symphonic Choir, Diana Damrau and Christian Gerhaher present a sublime Brahms Requiem on a snowy Sunday afternoon. 

In the spirit of Hallowe'en, Mahler’s Second Symphony focuses on the idea of Zombification; however, any mention of eating brains didn’t pass Mahler’s final edits. 

Unity over division, peace over war, a higher cause for humanity: no symphony better expresses the mission of the West-Eastern Divan Orchestra than Beethoven’s Ninth, and no orchestra plays this symphony with greater emotional power. With Daniel Barenboim on the rostrum, this symphony’s composed, collective redemption becomes at once entirely natural and entirely miraculous.