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A grand rendition of Verdi’s Don Carlos opens season at the Grand Théâtre de Genève under the inspired baton of Marc Minkowski, in his first encounter with the opera, directed by Lydia Steier. 

More of a distraction than an enhancement, Ulrich Rasche’s giant steel machine grinds down the performers of this dark Elektra, which ultimately stumbles over its own feet.

Plasson shows all his experience; Lavaudant surprises and delights with his direction; a strong cast sing their hearts out. Who can ask for more?

A strong, compelling staging – coherent in aesthetic and philosophy, if a little restrained in performance. 

A fairly conventional version of Beethoven's Fidelio at the Grand Théâtre in Geneva plays it safe and ultimately succeeds.