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Classical music, opera, ballet and dance in Geneva, Switzerland

Use Bachtrack's search facility to find concerts, opera and dance events not only in this city but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

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Brahms: Symphony no. 4 in E minor, Op.98
Orchestre de la Suisse Romande; Jonathan Nott


Debussy: La Mer
Orchestre de la Suisse Romande; Jonathan Nott


Stravinsky: The Firebird: Suite
Orchestre de la Suisse Romande; Jonathan Nott

GenevaBrahms Violin Concerto

Brahms: Violin Concerto in D major, Op.77
Orchestre de la Suisse Romande; Jonathan Nott; Sergey Khachatryan

GenevaOSR - Mussorgsky

OSR - Mussorgsky
Mussorgsky: Night on Bare Mountain
Orchestre de la Suisse Romande; Jonathan Nott

GenevaOSR - Brahms

OSR - Brahms
Brahms: Symphony no. 3 in F major, Op.90
Orchestre de la Suisse Romande; Jonathan Nott
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Outstanding direction of a fine cast: Faust in Geneva

John Osborn, Ruzan Mantashyan, Marina Viotti, Adam Palka © GTG | Magali Dougados
Plasson shows all his experience; Lavaudant surprises and delights with his direction; a strong cast sing their hearts out. Who can ask for more?
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Elena Langer's Figaro Gets a Divorce shines in Geneva

David Stout (Figaro) and Marie Arnet (Susanna) © GTG | Magali Dougados
Elena Langer's gorgeous and tongue-in-cheek Figaro Gets a Divorce shines in Geneva, despite David Pountney's boxy libretto. 
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A lacklustre Maid of Orleans in Geneva

Ksenia Dudnikova © Zemsky Green
The performance bids for musical purity, but ends up stripped of story and emotion as well. 
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Wozzeck in Geneva: grit and light

Mark Stone (Wozzeck) © GTG | Carole Parodi
A strong, compelling staging – coherent in aesthetic and philosophy, if a little restrained in performance. 
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Petibon shines in Olivier Py's ambitious Manon

Patricia Petibon © GTG | Carole Parodi
A Manon as sexy and unsteady as its heroine.
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Too many greys in Geneva's Falstaff

Franco Vassallo (Falstaff) and chorus © Carole Parodi
A huge revolving grey monolith centre stage dominated a grey floor, grey props and men in grey costumes, all detracting from the gaiety Verdi envisaged as the essence of Falstaff.
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