Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Gergely Madaras

Madaras and the LPO rise above the routine in Tchaikovsky's Fifth Symphony, with an engaging performance of the Rococo Variations from Zlatomir Fung.

Gergely Madaras’ interesting approach to Mahler’s First suffers from sloppy execution while Larcher’s Third succeeds in a vivid evocation from the CBSO of triumph and tragedy.

Tamás Juronics choreographs the Concerto for Orchestra as a biographical ballet depicting a fragile Béla Bartók rising from his hospital bed.  

There was never any hint of over-sentimentality in the playing of the Bournemouth Symphony Orchestra's artist-in-residence. 

Underwhelming performances, all too tempestuous conducting and an aesthetically pleasing but puzzling production fail to thrill.

Gluck’s ballet Don Juan is a rarity but sadly, the tame performance by the Academy of Ancient Music, part of its ‘Grand Tour’ series, failed to seduce at Milton Court. 

Before the beginning of this new version of Mozart’s The Magic Flute from Simon McBurney, Complicite and English National Opera, one may wonder, looking at the stage, why it was recently hailed as the company’s most technically advanced creation to date: an austere, no-frills set consisting of a single suspended rectangular slab and a raised orchestra pit both reflect this production’s refreshing