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25 years after its creation in Bayreuth, Director Heiner Müller's legendary production of Tristan und Isolde was recreated and presented in Linz with committed performers with great success.

Why is Handel's wonderful oratorio Alexander Balus so rarely performed?  A performance at Herzfeld am Harz, as part of the Göttingen Handel festival, was musically splendid, despite cuts.

The Bruckner Orchester Linz’s Chicago appearance was centered on American music with music director Dennis Russell Davies and vocalist Angélique Kidjo, rounded off by a Zemlinsky song cycle based on African-American poetry.

I can certainly attest that this was the closest I have ever felt to watching a 3-D thriller in Dolby Surround Sound whilst at the opera.

Robert Wilson's new production of La traviata in Linz succeeds in communicating the emotional depth of Verdi's tragedy despite his stylized minimalism.

With sub-Ionesco doggerel for a libretto, a patchy score and a disjointed plot, it takes deft stage direction for farce and satire to blend credibly in Le grand macabre, Ligeti’s 1977 operatic spoof on doom-laden prophesizing.