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Antonino Fogliani conducts a concert performance of Bellini's rare bel canto opera. 

Nicola Porpora's pasticcio was one of the highlights of the 45th edition of the Festival della Valle d'Itria in Martina Franca.

An impressive performance of Verdi's masterpiece Un ballo in maschera based on of the original libretto.

A fresh, gleaming production of director Elena Barbalich, with as much vaudeville as possible

At its 2015 inauguration at the Royal Opera House, a controversial rape scene in Act 3 drew outrage from the audience and critics alike. Now the Teatro Massimo is presenting the production once again.

Juxtaposing Granados’ sensuality with the miserable story of Suor Angelica functioned by contrast, as they do not have anything in common.

It took a whole act to warm up the audience, but at the end, San Carlo's production of Lehár’s frothy operetta proved convincing

The gaily poor artists are called to adulthood and responsibility.

In times where musical luxury is sometimes associated with having a pop star perform a short “Happy Birthday” and a handful of songs in a private performance – and for a usually undisclosed (and indecent) fee, having a whole piece of music composed for an occasion, or organising a private performance by a famous orchestra, is almost unimaginable.

When Jean-Christophe Spinosi stepped onto the podium to conduct Le Comte Ory that night, he didn’t wait for his applause to cease, but instantly cued a hearty forte from the Ensemble Matheus, and consequently a few incredulous looks from the audience.

A father having marriage plans for his daughter of which the latter does not approve may not be the most original plot, but it has inspired operas throughout the centuries, with well-known examples being The Bartered Bride and Arabella.