Michieletto's controversial Guillaume Tell resurfaces in Palermo

By James Imam, 25 January 2018

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“Time and again, it finds the right image for the music”

Reviewed at Teatro Massimo, Palermo on 23 January 2018

Rossini, Guillaume Tell (William Tell)

Gabriele Ferro, Conductor

Damiano Michieletto, Director

Paolo Fantin, Set Designer

Carla Teti, Costume Designer

Roberto Frontali, Guillaume Tell

Dmitry Korchak, Arnold Melchthal

Marco Spotti, Walter Furst

Emanuele Cordaro, Melchthal senior

Anna Maria Sarra, Jemmy

Nino Machaidze, Mathilde

Enkelejda Shkoza, Hedwige

Matteo Mezzaro, Rodolphe

Pietro Adaíni, Ruodi

Luca Tittoto, Gesler

Paolo Maria Orecchia, Leuthold

Coro del Teatro Massimo

Orchestra del Teatro Massimo

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James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.

Damiano Michieletto's controversial Guillaume Tell resurfaces in Palermo