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Wonderful singing, orchestral playing and staging make for a successful performance of Tchaikovsky's opera, with some reservations about the production.

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers. 

Director Cameron Menzies offers a fresh perspective on Tchaikovsky's masterpiece Eugene Onegin in this Northern Ireland Opera production. 

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

Cameron Menzies sets Verdi's timeless opera in a timeless world, with a mixture of styles indicating that all is not as it seems.

A double bill of French operettas shows Guildhall students to advantage as well as providing an introduction to Viardot that's well worth the trip.

With a combined age of 161 years, John Copley and Steuart Bedford certainly bring ample experience to Grange Festival's new production of Britten's Albert Herring. 

Among the brilliant programming of The Rest is Noise festival in London, there was one concert this year that stood above all the others for me: the European première of Shostakovich’s opera prologue Orango. First discovered in an archive in 2004 by scholar Olga Digonskaya, Orango was never finished by Shostakovich, and indeed only a piano score remained.

Si le dispositif semi-scénique d'Annabel Arden convainc à moitié, la direction musicale et la distribution (avec Sunyoung Seo dans le rôle-titre) valent le détour.