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Pet Halmen’s 2003 production of Puccini's unfinished final opera places asks more riddles than Turandot's quiz questions to her would-be suitors. 

Christian Thielemann led a memorable performance of Strauss's chamber opera Ariadne auf Naxos with a strong cast in a new straightforward production by David Hermann.

Auguin conducted as if he really believes in this evergreen work, which was wonderful to hear in the composer’s rather overlooked anniversary year.

The third installment of Semperoper Dresden’s Ring des Nibelungen cycle ups the ante with an outstanding ensemble performance.

David McVicar's production may divide audiences with its no holds barred approach to the debauchery of the court of Mantua, but is well worth seeing for the Gilda of Tuuli Takala.