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Sommets Musicaux de Gstaad opens with a programme of beautiful music and a pair of fine soloists, but a concert somewhat let down by a lack of rapport between soloists and orchestra.

From Otello's opening thunderstorm, Myung Whun Chung and the Orchestre Philharmonique de France leave us gasping, while Alagna turns in a magnetic performance in the title role.

​In each case, you know the murder is coming. In each case the music is explosive and closes the opera: there is nothing left to say except Canio's simple words: "La commedia è finita.