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Jess Gillom and Scottish Chamber Orchestra in St Andrews in a wide-ranging programme of contemporary music. Ben Glassberg conducts.

Maxim Emelyanychev and the Scottish Chamber Orchestra offer a Baroque-inspired programme of Bach, Handel, Britten, a modern take on Scarlatti and wonderfully zany Schnittke.

In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber Orchestra conducted by the effervescent Maxim Emelyanychev.

Andrew Manze conducts an all-Adams programme in Glasgow, Maximiliano Martín the fearless soloist in Gnarly Buttons, bookended by mesmerising Shaker Loops and exuberant Fearful Symmetries. 

The Scottish Chamber Orchestra with Colin Currie fizz with energy in Duddell, Grime and Steve Reich.

Three sopranos, two Glorias and one French composer who isn’t great box office: the Scottish Chamber Orchestra and Chorus sound great, but where is the audience?

Pekka Kuusisto and Simon Crawford-Phillips lead the Scottish Chamber Orchestra in a musical arc featuring works by Britten, Adès, Andres, Beamish and Haydn. 

The Scottish Chamber Orchestra perform Fauré moving Requiem and Vaughan Williams Mystical Songs with the SCO Chorus and Roderick Williams. 

Joseph Swensen conducts a soul-searching, introspective programme of Sibelius and Bacewicz at Queen's Hall, Edinburgh. 

A month early, perhaps, but Václav Luks conducts the Scottish Chamber Orchestra and Chorus in Bach's joyful celebration of the Christmas story. 

A typically omnivorous programme from Manze and the SCO in which principal flautist André Cebrián dazzles in a Mozart concerto. But it was all nearly upstaged by a solo lament for the Valencia floods.

An outstanding Elijah from the Scottish Chamber Orchestra and Chorus with Maxim Emelyanychev, headed up by Roderick Williams, with Carolyn Sampson, Rowan Pierce, Anna Stéphany and Thomas Walker.

Pekka Kuusisto and the SCO burst with energy in UK premieres from Anna Clyne and Helen Grime with soprano Ruby Hughes.

Mendelssohn’s Italian Symphony and his incidental music to A Midsummer Night’s Dream are performed at Perth Concert Hall. 

Handel's chorus-heavy oratorio fielded a dream team of distinguished soloists.

Lydia Teuscher, Andrew Staples and Hanno Müller-Brachmann prove a beautiful trio of angels and the SCO Chorus are on top form in Haydn's biblical oratorio.

The Scottish Chamber Orchestra directed by Hugo Ticciati premiere Karine Polwart and Pippa Murphy’s Seek the Light, performed as a thread with contemporary string works. 

The Scottish Chamber Orchestra perform an evening of luminous early Mozart, lively Johann Strauss II and vivid Schoenberg. 

Maxim Emelyanychev and violinist Dmitry Sinkovsky provided Russian thrills in a baroque programme with the Scottish Chamber Orchestra on top form.

The EIF finale brings a Covid-related cancellation, but French conductor Lionel Bringuier replaces Kazushi Ono to help the SCO close the festival in style. 

The Scottish Chamber Orchestra wraps up Perth Festival in style with a cheerful Mozart symphony and Nicola Bendetti revisiting Mendelssohn’s Violin concerto.

A short, tender MacMillan piece, filmic Sibelius and an astonishing percussion concerto from Rautavaara written for – and performed by – Colin Currie rounds off a successful SCO digital series of concerts.

Percussionist Louise Goodwin and the Scottish Chamber Orchestra take us on an exhilarating rhythmic 300 year ride.

Matthew McVarish’s Scottish soldier brings Stravinsky’s Soldier’s Tale vividly to life, the Scottish Chamber Orchestra on sparking form conducted by Gordon Bragg.

SCO cellist Philip Higham plays memorable Rococo Variations, bookended by lively Schubert conducted by the dynamic Maxim Emelyanychev.

A dream team of the Scottish Chamber Orchestra directed by Pekka Kussisto, with Allan Clayton and Alec Frank-Gemmill astonish with two modern icons: Clyne’s Within Her Arms and Britten’s Serenade for Tenor, Horn and Strings.

The Scottish Chamber Orchestra explores student works from Bernstein’s punchy Clarinet Sonata, Barber’s String Quartet, featuring his greatest hit, and Coleridge-Taylor’s sunny Nonet.