The SCO bring forward one of their own to play Mozart's Flute Concerto

By Simon Thompson, 16 February 2023

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“witty ornamentations and daring tricks with tempi gave the finale a real shot in the arm”

Reviewed at Queen's Hall, Edinburgh, Edinburgh on 16 February 2023

Debussy, Children's Corner, suite (orch. Caplet)

Mozart, Flute Concerto no. 2 in D major, K314 (K285d)

Stravinsky, Danses Concertantes

Mozart, Idomeneo, re di Creta, K366: Overture

Mozart, Idomeneo, re di Creta: Ballet music, K367

André Cebrián, Flute

Scottish Chamber Orchestra

Joana Carneiro, Conductor

Saxophone dreams with Jess Gillam and the Scottish Chamber Orchestra

David Smythe, 11th March

Jess Gillom and Scottish Chamber Orchestra in St Andrews in a wide-ranging programme of contemporary music. Ben Glassberg conducts.

****1

Baroque inspirations from Emelyanychev and the SCO

David Smythe, 20th February

Maxim Emelyanychev and the Scottish Chamber Orchestra offer a Baroque-inspired programme of Bach, Handel, Britten, a modern take on Scarlatti and wonderfully zany Schnittke.

****1

Maxim Emelyanychev and the Scottish Chamber Orchestra reshape Mozart

David Smythe, 29th January

In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber Orchestra conducted by the effervescent Maxim Emelyanychev.

****1

Gnarly Buttons central to the SCO’s John Adams programme

David Smythe, 12th December

Andrew Manze conducts an all-Adams programme in Glasgow, Maximiliano Martín the fearless soloist in Gnarly Buttons, bookended by mesmerising Shaker Loops and exuberant Fearful Symmetries.

****1

Reich+ from Colin Currie and the Scottish Chamber Orchestra

David Smythe, 6th November

The Scottish Chamber Orchestra with Colin Currie fizz with energy in Duddell, Grime and Steve Reich.

****1

A tale of two Glorias: Poulenc and Vivaldi with the SCO in Edinburgh

Simon Thompson, 9th October

Three sopranos, two Glorias and one French composer who isn’t great box office: the Scottish Chamber Orchestra and Chorus sound great, but where is the audience?

****1

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Simon Thompson

Simon lives and works in Edinburgh, and teaches History and Modern Studies at a local high school when he is not writing about music. Born an Irishman, he is an enthusiastic adopted Scot, and has lived in the capital for fifteen years since university days, making the most of its many avenues for classical music. He spends his spare time enthusing about music, theatre, art and literature to anyone who will listen, including his long-suffering students, who have no choice.