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A deep-dive into the world of 14th-century Persian poet, Hafez, and his influence on song across the centuries. 

Tirolian composer Thomas Larcher has always struck me as a musician in the mold of that great Austrian stylistic dabbler, Ernst Krenek. A great deal of the twentieth-century finds itself reflected in Krenek, who rode the wave of numerous landmark ‘-isms’, a master of all (and his twelve-tone opera Karl V, the first full-length instance of operatic serialism, is a masterpiece) and exemplar of none.

Since emerging from the Guildhall School of Music in the early 1990s, Roderick Williams has enjoyed a steady and critically acclaimed career.