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Rodula Gaitanou sets Richard Strauss and Hugo von Hofmannsthal's comedy in the Cinecittà film studios of the 1950s. 

Nicola Raab puts Byron at the heart of Il corsaro in her new production for the Palau de les Arts, but doesn’t always know what to do with him.

Mark Lamos' staging is a riot of colour and movement; George Souglides gives us a masterclass in costumery; fine Italian singing illuminates this Norwegian première for Rossini's madcap Il turco in Italia.

The away leg of Rossini's “Italian girl - Turkish guy” fixture makes for a thoroughly enjoyable evening at Garsington, without ever quite bursting into flame.

Matti Salminen and conductor Leif Segerstam come together, probably for the last time, to give us an excellent evening's opera which touched the heart of Boris Godunov – a Finnish swan song as potent as anything penned by Sibelius.