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Yannick Nézet-Séguin combines the composer's unfinished Ninth Symphony, Te Deum and the motet Christus factus est to create an ultimate realization of religious faith and artistic expression.

The young violinist continues the ongoing rediscovery of American composer Florence Price, premiering new editions of her First and Second Violin Concertos.

Despite beautifully realized performances from Renée Fleming and Kelli O'Hara, Kevin Puts' opera is still finding its voice.

Bach's crowning musical achievement made a disappointing return to the Philadelphia Orchestra repertoire after a 34-year absence.

The Vienna Philharmonic, the Westminster Symphonic Choir, Diana Damrau and Christian Gerhaher present a sublime Brahms Requiem on a snowy Sunday afternoon. 

With so many performances of Handel’s Messiah popping up around the holidays, how’s one to choose?

In the spirit of Hallowe'en, Mahler’s Second Symphony focuses on the idea of Zombification; however, any mention of eating brains didn’t pass Mahler’s final edits. 

This is not the Messiah you know; it's the one you live with. In El Niño, the story is told through texts ancient and contemporary, from a new perspective.

Unity over division, peace over war, a higher cause for humanity: no symphony better expresses the mission of the West-Eastern Divan Orchestra than Beethoven’s Ninth, and no orchestra plays this symphony with greater emotional power. With Daniel Barenboim on the rostrum, this symphony’s composed, collective redemption becomes at once entirely natural and entirely miraculous.