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Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season. 

Latvian soprano Marina Rebeka sings Violetta in Lorenzo Amato's traditional – but damp – staging. 

Despite the setting in a condo, Dante’s staging is basically traditional, to the point of even respecting the original story's 1830s fashions.

Comic opera can fall flat, but if The Grange Festival's new production of Verdi's final masterpiece is a total delight, with a strong concept and a strong cast. This is country-house opera at its best.

Absent from theatres for more than a century and a half, Donizetti's comedy about Tsar Peter the Great is revived in the composer's home town.

An intriguing performance of a wonderful, psychological opera that needs to be heard much more frequently this side of the Atlantic.