Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Selene Zanetti

Marina Abramović's reflection on fame, artistry and death makes an enthralling Italian debut at the Teatro di San Carlo.

Despite the setting in a condo, Dante’s staging is basically traditional, to the point of even respecting the original story's 1830s fashions.

Axel Ranisch's staging of Ermanno Wolf-Ferrari's one-acter confounds with visual chaos.

With their second open-air concert performance, Teatro di San Carlo scores another hit.

Petrenko's Puccini is bracingly alert, filled with colour and has a romantic sweep that is utterly transporting.

Instead of telling a story of spiritual enlightenment and ultimate redemption through faith, Pierre Audi's reading is bereft of mystery and magic.