Ihr Wegweiser zu Konzerten, Oper und Ballett in München

München-Panorama

Curtain up on Munich's 2018-19 season

Upcoming eventsSee more...

MunichRolando Villazón, recital

Nationaltheater, Wed 18 Jul at 20:00

Rolando Villazón; Carrie-Ann Matheson

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Schloss Schleissheim: Large Festive Hall, Fri 20 Jul at 19:30

Mussorgsky, Haydn, Verdi, Gershwin

Munich Residenz Solisten; Andreas Skouras

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Nationaltheater, Fri 20 Jul at 19:00

Wagner: Das Rheingold

Kirill Petrenko; Andreas Kriegenburg; Bavarian State Opera; Harald Thor; Andrea Schraad; Wolfgang Koch; Markus Eiche

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Prinzregententheater, Fri 20 Jul at 19:00

Brahms, Rachmaninov, Bernstein

ATTACCA - Youth Orchestra of the Bayerische Staatsorchester; Allan Bergius

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Die Residenz: Hofkapelle, Jul 19, 21, 26, 28, Aug 02, 04, 09, 11, 16, 18, 23, 25, 30, Sep 01, 06, 08, 13, 15, 20, 22, 27, 29, Oct 04, 06, 11, 13, 18, 20, 25, 27, Nov 01, 03, 08, 10, 15, 17, 22, 24, 29, Dec 01, 06, 08, 13, 15, 20, 22, 27, 29 at 18:30

Bach, Vivaldi, Handel, Mozart, Beethoven

Munich Residenz Solisten

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Latest reviewsSee more...

Pierre Audi’s new Parsifal grinds the gears in Munich

Jonathan Sutherland, 28 Jun

Instead of telling a story of spiritual enlightenment and ultimate redemption through faith, Pierre Audi's reading is bereft of mystery and magic.

****1

Bo Skovhus (Šiškov) and Chorus © Wilfried Hösl

Matthew Rye, 26 May

The profusion of images and ideas in Frank Castorf's Bavarian Staatsoper production of From the House of the Dead threatens to rob Janáček's opera of its humanity.

***11

Anja Silja (Wilhelmine von Bayreuth), Pauline Rinvet (Sister) and Kathrin Zukowsk (Brother) © Jean-Marc Turmes

Sandra Bowdler, 15 May

Hasse’s Artaserse in Munich was a pasticcio using music from that work to tell the story of Wilhelmine von Bayreuth and to celebrate of Anja Silja.

***11

Juan Diego Flórez (Edgardo) and Venera Gimadieva (Lucia) © Wilfried Hösl

Laura Servidei, 13 May

Juan Diego Flórez and Venera Gimadieva charm as the young unlucky couple, and convince with their vocal performances in Wysocka’s production at the Bayerische Staatsoper.

****1