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An adventurous triple bill of vintage works new to Norway. 

A lovingly reproduced historical reconstruction, but is it enough to connect with modern Australian audiences?

After two years of pandemic disruptions, the Australian Ballet celebrates its return to the stage with this gala of impressively-chosen showstopper pas de deux.

Ako Kondo dances a gorgeous Giselle in this restaging of a much-loved production.

Who needs a pumpkin carriage ride to transport you to the ball when you could surf celestial webs instead? Certainly not Prokofiev's Cinderella, if Alexei Ratmansky’s 2013 Australian Ballet production is anything to go by.

A provocative reworking of a Russian classic, if not always compelling told.