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Petrenko's Puccini is bracingly alert, filled with colour and has a romantic sweep that is utterly transporting.

The profusion of images and ideas in Frank Castorf's Bavarian Staatsoper production of From the House of the Dead threatens to rob Janáček's opera of its humanity.

Kirill Petrenko’s second night at Carnegie Hall packed a punch as the orchestra of the Bayerische Staatsoper delved deep into Strauss’ score, supporting an impressive cast of singers.