Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Caroline Wettergreen

At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.

The COC’s revival of The Magic Flute is mostly played for laughs and makes an enjoyable, if undemanding, evening.

André Barbe and Renaud Doucet's Magic Flute is ideal entertainment for a fizz-filled summer night.

In her anxiety to be ‘new’, Shaw slaps a sackload of semi-comprehensible ideas onto a sort-of present day update.

Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.

François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming.