Classical music, opera, ballet and dance in Glyndebourne, United Kingdom

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July 2017
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GlyndebourneLa clemenza di TitoNew Production

Mozart: La clemenza di Tito
Robin Ticciati; Claus Guth; Glyndebourne Festival Opera; Christian Schmidt; Richard Croft; Joélle Harvey; Alice Coote

GlyndebourneAriadne auf Naxos

Strauss R.: Ariadne auf Naxos
Cornelius Meister; Katharina Thoma; Glyndebourne Festival Opera; Julia Müer; Irina Bartels; Lise Davidsen; Erin Morley

GlyndebourneDon Pasquale

Donizetti: Don Pasquale
Giacomo Sagripanti; Mariame Clément; Glyndebourne Festival Opera; Julia Hansen; Renato Girolami; Lisette Oropesa; Andrei Zhilikhovsky

GlyndebourneLa traviata

Verdi: La traviata
Andrés Orozco-Estrada; Tom Cairns; Glyndebourne Festival Opera; Hildegard Bechtler; Joyce El-Khoury; Atalla Ayan; Dimitri Platanias
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Buffa as blood sport: Glyndebourne's Don Pasquale

Lisette Oropesa gives a coloratura star turn; Renato Girolami and Andrey Zhilikhovsky give the buffo patter; Mariame Clément's staging focuses on the work’s dark side.
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Keep calm and carry on singing

A superlative cast and perceptive staging make for a gripping revival of Strauss’s Ariadne auf Naxos at the Glyndebourne Festival.
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Hamlet boldly adapted by Brett Dean

Brett Dean treats Shakespeare's behemoth as a timeless story told in language that has become timeless; no effort is spared in elucidating and amplifying that story.
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A strong Violetta carries an uninspired Traviata revival

Tom Cairns' production feels empty and distracted, but Kristina Mkhitaryan was a sensational Violetta, strongly reinforced by an impressive Germont from Igor Golovatenko.
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Vick finds modern relevance in Cavalli's Hipermestra

The advantage of staging a rare opera such as Cavalli's Hipermestra at Glyndebourne this year is that the director can work with a blank canvas without audience’s preconceptions.
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A drab Don Giovanni from the Glyndebourne Tour

A lack of inspiration and dull staging is a serious hindrance to the second of Glyndebourne's touring productions.
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