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Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

New music, old friends and supercharged Strauss from the Estonian Festival Orchestra.

The Isle of the Dead and The Bells make gloomy bookends to the final concert of the season, but Mihhail Gerts makes a great case for both at the National Concert Hall. 

The Bayerische Staatsoper's revival of a controversial production containing Georg Baselitz’s artwork succeeds with strong musical performances led by veterans of Wagnerian operas.

Pavol Breslik had no difficulties in rendering the intricacies of Janáček’s vocal language, shaped by Moravian folk music and speech patterns.

With an unsurpassed cast, devoted conducting and a brilliantly imaginative staging, the Bavarian State Opera's new production of Korngold's Die tote Stadt is a triumph.